civility

Amazon.com: Customer Reviews: Of Grammatology

His method has been called the "language of cultural Marxism" and is a necessary component of modern leftist ideology. At any time I expect Jacques Derrida ...

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Amazon.com: Avid Reader's review of Of Grammatology

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Bibliochat | Of Grammatology | Jacques Derrida

Jan 8, 1998 ... J. Hillis Miller, Yale University Jacques Derrida's revolutionary ... His method has been called the "language of cultural Marxism" and is a ...

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Geometry.Net - Philosophers Books: Derrida Jacques

His method has been called the "language of cultural Marxism" and is a necessary component of modern leftist ideology.At any time I expect Jacques Derrida ...

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of grammatology | ===> Linguistics Books

Thirty years later, the immense influence of Derrida's work is still .... His method has been called the “language of cultural Marxism” and ...

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Of Grammatology

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His method has been called the "language of cultural Marxism" and is a necessary component of modern leftist ideology. At any time I expect Jacques Derrida ...

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Of Grammatology / ISBN: 0801858305 / Semiotics, Criticism & Theory ...

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Derrida Myth And The Impossibility Of Philosophy Ecampuscom

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30 মার্চ 2007 ... Derrida questions the Western privileging of speech over writing .... His method has been called the "language of cultural Marxism" and is a ...

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the language of cultural marxism

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the culture of death, harry potter, and the charismatic movement

The ancient Chinese curse: May you live in interesting times. This present era is interesting, indeed; it is a true period of transition, though many historians have said, with some truth, that every age is an era of transition, in one way or another.  It can be depressing to visualize a country heading toward its future dissolution, though the hope is that this perceived historical reality may not really be true.   

But, nonetheless, some intriguing questions may be raised.   Is there what could be reasonably called a single “national character” existing as the main or truly representative American character in this country?   

Ticklish Subject

We still want to believe in something like the unconscious, something like the durability of the object and the event. Derrida writes: “I believe in the force and the necessity of the act by which Heidegger substitutes a certain concept of Dasien for a concept of subject still too marked by the traits of the being as vorhanden, and hence by an interpretation of time, and insufficiently questioned in its ontological structure…the time and space of this displacement opened up a gap, marked a gap, they left fragile, or recalled the essential ontological fragility of the ethical, juridical, and political foundations of democracy and of every discourse that one can oppose to…the worst. Can one take into account the necessity of the existential analytic and what it shatters in the subject and [can one] turn towards an ethics…in any case towards another type of responsibility that safeguards against…the worst?"

sports vol. I

Example of racist discourse: discipline as knowledge/Power, or why being ‘knowledgeable’ is considered valuable by fans of Professional Sports:

What did ... I mean ... how can ... wow. That's it, wow. He didn't know that games could end in a tie. You know who knows that games can end in ties? Everyone. Even Tony Siragusa knows that. Yet a quarterback who has led his team to four NFC Championship Games and one Super Bowl didn't know. I mean, it's not like the referee says it before every overtime session! (And to those who think he's joking, he's not. Donovan laughs at his own jokes more than Jon Stewart; his demeanor was far too serious for that to be a joke, despite what his inevitable excuse is today.)

National Hills

This is a good song

nostalgia as end times

--- On Wed, 11/3/10, Joseph Coombe wrote:

From: Joseph Coombe
Subject: opening line
To: "Loper, Brandon"
Date: Wednesday, November 3, 2010, 3:43 PM

"The band members were having troubles. It was weeks before for their first show, rather than worry about equipment issues, set lists and guest lists, they were some place else. As the topic of discussion stalled, they argued that if they could claim their origin from when they first practiced rather than from the date of their first show, could they be accused of being pro life?"


Jason,

Very witty, and i think a publisher would keep reading, if that were the opening: mundane, a good sense of tone, funny, and finally, thought provoking. Why, in other words, do some debates have such arresting power to make people take sides?

I should be doing something else, of course. But I've trying to think through the concept of the will-have-been, or future anterior. For example, perhaps the true fallout of the Berlin Wall, the Cold War, and what we know culturally as the 1980's has only become legible in certain discreet phenomena: on the liberal side, we have the event of the hipster; and on the conservative side, the event of the tea party. Both rely, or are affected by a kind of generalized nostalgia for the 'unremembered 80's:' cable television and ronald reagan.

What we have is the generalized effect of conceptual remembrance, and while nostalgia is not quite the proper descriptive modality, nor is a term such as 'structure of feeling' entirely sufficient because it is too rigid, and too vaguely historical in the positivist sense. Rather, we need something to suggest a slight calcification, a hardening of effects, something sticky yet durable.

Think of the event of the Soviet Collapse as an explosion of string or cord. The expansion of string into nothingness, into time would be like potential virtual pathways into (our) future. Inevitably, the attempt to live those pathways in time, or untangle their spontaneous knotting, produces certain effects, certain structures, certain antagonisms that 'will have been.' As such, I think the hipster and the tea party are two sides of the same cultural mobius strip. Then again, it is easy enough for nearly everyone to counter here with countless examples of red state-blue state dialectics, i.e. young republicans versus non-profit interns, tea partiers versus campus anarchists.

Yes, dialectical antagonisms are easy enough to produce, but I see something else at work, something that I think Jameson would term a 'vanishing mediator' and Deleuze would term 'dark precursor.' This some-thing, as it were, in any event, is the diffused, obscured evental ground. This thing does not as such exist, and therefore no positivist history can call it forth from the shadows of its virtuality. Yet, we have its traces, which fracture and multiply in parallaxes of antinomies: Ian Curtis, Ronald Reagan, Lisa Bonet, Andrew McCarthy, Newt Gingrich (p.s. check out maureen dowd's editorial today, very cut and paste). For example, there is something deeply wrong with that Drums video you sent: it's like Vampire Weekend as Ivan Drago, if anything.

Anyway, this leads me to my full point. Pitchfork Media recently gave Weezer's second album Pinkerton a 10, and given the conversation we had last week about critical algorithms that will exceed the current market share (not instrumental keywords, musical dna, but critical numeric ratings), I think we should reject this effort. Although no one really believes in the power of these neo-aristotelians, the so-called Chicago school of contemporary media, I think we are witnessing the rise of an influential apparatus which will come to control our ideas of media. Despite, of course, their efforts to maintain a public face of modesty, some false description of their efforts as eccentric, provincial, and influential only within a narrow bandwidth.

Let me be blunt: Weezer is Marilyn Manson, and if we are forced to choose sides, to choose the shape of the prophet to come, then Manson is the true progressive choice. Rivers Coumo is a traitor to the cause: he is the reason everyone is in a band rather than listening to bands. There is no rehabilitation for Weezer, and this re-elevation of their efforts into some golden calf is wrong and deeply reactive, for the consequences of this act are yet unknown and deeply disturbing. We do not want a future where Pinkerton is a paradigm. Whereas Manson is said to have inspired perverse acts of divine violence, Weezer continues to inspire date rapists, orientalists, and the viability of the Viper Room and Robert Downy, Jr. The Pitchfork act glorifies the spectral half-life of celebrities whose fame and credit is based on the princely entitlement of one-work, one-hit, one-identity. Let's say that fifteen years from now, someone looks into Weezer, and declares the first two albums to be a dialectic of popular artistic success. Where does it go from there? There is nothing else to mine but the personality of some dead ghost. There is nothing redeemable in the corpus. Whatever progressive energy Weezer possessed passed into the body of Rushmore, and its later manifestation as Jason Schwartzman.

Blue Album, 1994
Anti-Christ Superstar, 1996
Rushmore, 1998

As Lenin writes, "There is no space for compromise here, no 'dialogue,' no search for allies in difficult times--today, in an epoch of the temporary retreat of dialectical materialism, one insight is crucial: 'when an army is in retreat, a hundred times more discipline is required than when the army is advancing....' When a Menshevik says, 'you are now retreating; I have been advocating retreat all the time; i agree with you, I am your man, let us retreat together,' we say in reply, 'for public manifestation of Menshevism our revolutionary courts must pass the death sentence, otherwise they are not our courts, but God knows what."

Billy





and the obvious: http://www.colbertnation.com/the-colbert-report-videos/310042/june-03-2010/vampire-weekend